Women’s Auto/Biographical Theatre: Affirmation, Preservation and Intercultural Communication
| dc.contributor.author | Couture, Selena | |
| dc.date.accessioned | 2025-05-01T12:13:06Z | |
| dc.date.available | 2025-05-01T12:13:06Z | |
| dc.date.issued | 2009-01-01 | |
| dc.description | The article considers the women's autobiographical theatre as a medium in bridging cultural divides. Canadian auto/biographical works of Marie Clements and Lesley Ewen serve as epitomes intended to assert and perpetuate the truths of women of colour in Canada. Their works, while bringing a positive impact on gender and intercultural relations, demonstrate ways to live, perform and appreciate women's lives. | |
| dc.identifier.doi | https://doi.org/10.7939/R3DF6K65G | |
| dc.language.iso | en | |
| dc.rights | © 2009 Couture, S. This version of this article is open access and can be downloaded and shared. The original author(s) and source must be cited. | |
| dc.subject | Cultural relations | |
| dc.subject | Performing arts | |
| dc.subject | Canada | |
| dc.title | Women’s Auto/Biographical Theatre: Affirmation, Preservation and Intercultural Communication | |
| dc.type | http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 | |
| dcterms.source | Couture, S. (2009). Women’s auto/biographical theatre: Affirmation, preservation and intercultural communication. Canadian Theatre Review, 139, 36-42. | |
| ual.jupiterAccess | http://terms.library.ualberta.ca/public |
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